Saturday, November 17, 2012

A View To A Kill



Runtime: 131 minutes

Directed by: John Glen

Starring: Roger Moore, Christopher Walken, Tanya Roberts, Grace Jones, Patrick Macnee

From: UA

Yep, I have returned, a few hours late but I still returned. I am feeling fine, all things considered. That is all I'll be saying about what happened late Monday afternoon. As I mentioned this film when talking about Skyfall, I figured I should go out of order in talking about Bond movies by discussing this flick, which many 007 fans rank in the lower half of all the films.

The plot: Horse racing, steroids, horses on the juice, and microchips collide together as Bond runs into Max Zorin (Walken) who is a product of World War II experimentation by the Nazi's and is psychotic and yet also happens to be a microchip industrialist. He concocts an incredible plot to flood Silicon Valley in order to create a monopoly in his field. He has May Day as a henchwoman (the one of a kind Jones).

Well, what an 80's-riffic picture, from the movie making snowboarding popular because of what 007 does as improvisation during the quality opening ski scene set in Siberia; I don't know why the movie set that moment to a cover version of California Girls (done by Gidea Park; looking on YouTube, they apparently were a group that did cover medleys of famous 60's artists back in the late 70's and early 80's, including The Beach Boys and The Four Seasons; the more you know), but oh well. There's Grace Jones; enough said. Then there's the awesome Duran Duran title song; the opening credits scene in general is awesome, come to think of it.

The movie... it doesn't always seem like a Bond movie. As cool as that chase scene was involving the fire truck vs. the cops in San Francisco, to steal a line I heard elsewhere, it seemed like something you'd expect in a Hal Needham film. You know, like Cannonball Run, which Moore actually DID appear in, claiming to be Roger Moore the actor (long story; one of these days I should watch that movie in order to explain it, but he pretty much &was& 007 there; you can imagine what the Bond producers thought of that). Then there's the way that Zorin shows how psychotic he is; as soon as he's done with the minions who enable his diabolical plot to destroy Silicon Valley... he gleefully guns them down. It probably isn't a surprise that Moore as an actor did not like that decision by the filmmakers.

Then, there's other things, like how Tanya Roberts (Moore romancing her made him look like a dirty old man due to his advanced age) was a big ditz and annoying at times, how the horse racing stuff dragged at times and ultimately did not play too big a part of the plot, and Moore was just too old for the role at the time. Not to mention, you briefly see a competing Soviet agent played by Fiona Fullerton who comes across as real cool but she vanishes out of nowhere and I wish we could have seen more of her, for sure.

Still, I say this isn't the worst of the Bond movies in general. Walken was Walken so it was mostly good. While he wasn't quite Silva from Skyfall, he was still at least a unique villain who was ahead of his time in knowing that microchips and computers would be a rather important thing in the future.There's some action that's pretty good. When it doesn't drag, it moves at a good pace. And Dolph Lundgren makes his film debut, appearing in one scene as a bodyguard. He was dating Jones at the time (what a couple) and he visited the set that day. They needed an extra extra, so they used him as he certainly looked the part.

Hilariously, Papillion Soo Soo has a small role here; she is best known for being the hooker in Full Metal Jacket who lets the soldiers that “me so horny” and “me love you long time”. At least this wasn't as painful an experience as I thought it would be. I'll be back Sunday night with something different.

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