The House by the Cemetery (Quella Villa Accanto Al Cimitero) (1981)
Runtime: 88 minutes
Directed by: Lucio Fulci
Starring: Catriona MacColl, Paolo Malco, Ania Pieroni, Giovanni Frezza, Silvia Collatina
From: Fulvia Film
It was about time I finally saw the third & final movie in Lucio Fulci's The Gates of Hell trilogy, right? The Beyond and City of the Dead are movies I like yet don't love like most others do. Give me Zombie, Don't Torture a Duckling, and The New York Ripper instead. That said, it was long overdue to complete the trilogy. Amusingly enough, I have seen kid actors Giovanni Frezza and Silvia Collatina in The New Barbarians and The Great Alligator earlier in the year; time for me to view their most famous roles.
This movie will remind you-regardless of intent-of The Shining. A doctor moves his family to a Boston-area home to complete the research of his late colleague. Well, the late doctor committed suicide after killing his mistress in the house; the son of the family (BOB; not Bobby, nor Robert, nor Robby, but BOB) is a little boy who sees a spooky little redhead girl named Mae that foretells doom.
Yes, it's a Fulci so you don't want to scrutinize the plot or logic too hard. As typical, adults dubbing the children in an old Italian genre effort is always hysterical. The plot & logic can be wonky here yet this haunted house tale inspired by M.R. James & Lovecraft concerning the lore of the place-tied to a Dr. Freudstein-still has the sort of spooky vibes I dig while still delivering the gory moments you'd expect from the director. There's a great cobweb-strewn cellar in the house which sets a great mood which coexists w/ such wacky moments as the most tenacious bat in cinematic history.
Helping is that the story is relatively straightforward & not a convoluted mess full of disconnected scenes like I feel City of the Dead and Beyond were. A creepy villain reveal is also a nice asset, as is the typical unforgettable Italian genre score-Walter Rizzati and an uncredited Allesandro Blonksteiner in this case. In hindsight, Cemetery should have been viewed sometime sooner than 2021, which is when The Beyond was tackled in full. Alas...
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