Runtime:
114 minutes
Directed
by: Richard Tuggle
Starring:
Clint Eastwood, Genevieve Bujold, Dan Hedaya, Alison Eastwood
From:
Warner Brothers
Here
is something different from what I've been watching as of late; this
is a pretty sleazy 80's movie (that seems to be a great decade for
sleazy films) that I've heard about from some people on a forum as
they enjoy it quite a bit. Turns out, they were right.
I'll
cut to the chase and get to the plot: Clint plays troubled New
Orleans cop Wes Block, who is a single dad that is divorced from his
wife and raises two young girls on his own (including his own
real-life daughter Alison). He has to deal with a serial killer who
goes after streetwalkers, which results in Wes having to dive into
the sleaziest part of what can be a pretty sleazy city; suddenly, the
killer starts targeting Block...
I've
heard this described as an American giallo film with some grindhouse
elements and I say that is pretty accurate. You see some wild things
in the various nightclubs in New Orleans. While not as wild as the
club scenes in One Man Force, you still see the likes of girls hot
oil-wrestling with each other with a dwarf as the referee, or a guy
in a black Speedo thrusting his crotch about. But it's mostly
serious, with Wes being shown as an alcoholic flawed figure; he ends
up being friendly with the hookers even before the serial killer
murders start. He gets a hummer from one girl during the movie! Not
to mention, there's plenty of nudity. You also have quite the
conversation about hard-ons, and involving people who you wouldn't
expect to hear hard-on talk from.
The
New Orleans setting is used well. Besides Clint wearing a tremendous
New Orleans Saints t-shirt and hat, there's a scene on the riverboat,
there's a scene at a Hollywood carnival, and of course there's some
Bourbon Street action. There is also some horror things you see as
Wes tries to track down the killer in some spooky locales, and
there's a kill that seems straight out of an early 80's horror movie
that got remade in the past 10 years. I know, I'm being vague as what
I said could apply to a number of movies.
If
you want to see Clint Eastwood play a troubled character who ends up
being deeply affected by the dark case he's working, then this is
worth seeing. Besides, from all I've heard this is the closest he's
come to doing an outright horror movie, and it's pretty cool and
well-done, with a funky soundtrack that fits the city and time.
I'll
be back Wednesday afternoon with a movie that oddly fits the 4th
of July.
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