The General (1926)
Runtime: The version I saw was a hair under 79 minutes in length
Directed by: Buster Keaton/Clyde Bruckman
Starring: Buster Keaton, Marion Mack, Glen Cavender, Jim Farley, Frederick Vroom
From: Buster Keaton Productions/Joseph M. Schneck Productions
Here's a movie I have seen before yet the last viewing was a long while ago. I was pretty happy to see this one again, as it's something I rate very highly. The Letterboxd review is below:
This wasn't the plan but last night I ended up watching another film I had seen a handful of times before and yet the last viewing was years ago. I now regret not revisiting this sooner.
The plot is simple yet effective: Johnnie Gray (Buster Keaton) is an engineer on a railroad so he is deemed valuable and thus can't sign up to join the Confederacy in the Civil War. I imagine there are a few who object to that side being covered but it never bothered me none. Even with there being several shots of the Confederate flag and that being a white-hot issue now, it really doesn't matter for the story.
Anyhow, we jump ahead in time two years and the North concocts a plan to stop the South and it requires Gray's train being stolen... and his girl is unwittingly involved. He busts his hump trying to get both back, and what you see is a panoply of stunts, creative physical humor, great sight gags, and an always entertaining story that never lets up. Of course Buster did all of his own stunts and that's insane to think that a movie star would do such things as train parkour, throwing large pieces of lumber around, sliding down a rocky cliff, and dodging locomotives all by himself. To think that this was all filmed in 1926 and yet it seems light years ahead of its time due to how it was filmed.
It's a shame that this was somehow a commercial and critical failure at the time, negatively affecting the rest of Keaton's career. At least we still have works of art like this to admire him for, and practically all of his best work can be found on YouTube for those that have never seen them before.
As for this in particular, this is one I should be able to watch often in the future, so I can both enjoy and admire the ingenious visual and physical humor.
Monday, July 13, 2015
Saturday, July 11, 2015
The Secret Six
The Secret Six (1931)
Runtime: 83 minutes
Directed by: George W. Hill
Starring: Wallace Beery, Lewis Stone, Clark Gable, Johnny Mack Brown, Jean Harlow
From: MGM
I haven't talked about it here but the past few days I rewatched the classic gangster films Scarface, The Public Enemy and Little Caesar. I enjoy all of them. This movie, it's another example in the genre but now this is forgotten. My Letterboxd review is below:
As of late I've rewatched several of the classic gangster movies of the 1930's. Thus, I decided to watch one now obscure in this day and age that I discovered existed when I was reading an article online. As it's available for rental from Amazon, that's what I did and I gave the site a few bucks. This was one of MGM's efforts in the genre.
The plot: Louis Scorpio (played by Wallace Beery) is usually known as SLAUGHTERHOUSE, which is awesome and comes from the job you see him working at the beginning of the movie. He joins a gang and yep, manages to rise in the ranks. You see that there's an overseer who really runs everything. You also get to look at how they influence politics by endorsing their (corrupt) candidate for mayor and bribe juries to avoid conviction. “The power of the press” applies here as two of the men who try to stop the gang are newspaper reporters (one of them a mustache-less Clark Gable in an early role); however, the title group of 6 men are mysterious businessmen and politicians who wear Lone Ranger masks to hide their identity when they meet others because... well, why not? Anyhow, their purpose is to eradicate the gang.
The movie is definitely uneven and it's not as great as the classics in the genre. However, I can still say it's fine. It was interesting to see how that particular gang was set up and run, and how Slaughterhouse was always an uncouth under-educated guy, despite his best attempts otherwise... although he does prefer drinking a glass of milk to a glass of alcohol. There are still some violent moments (especially the hot ending) and the typical trademarks you expect from the genre. And, the cast has faces I am familiar with besides Gable; there's Wallace Beery as Slaughterhouse, Lewis Stone, Johnny Mack Brown, Ralph Bellamy, and in another actor with an early role, Jean Harlow.
If you have seen and enjoyed the most famous entries in the genre then this may be worth a shot for you. At least the movie is well-shot and has some nice touches.
Runtime: 83 minutes
Directed by: George W. Hill
Starring: Wallace Beery, Lewis Stone, Clark Gable, Johnny Mack Brown, Jean Harlow
From: MGM
I haven't talked about it here but the past few days I rewatched the classic gangster films Scarface, The Public Enemy and Little Caesar. I enjoy all of them. This movie, it's another example in the genre but now this is forgotten. My Letterboxd review is below:
As of late I've rewatched several of the classic gangster movies of the 1930's. Thus, I decided to watch one now obscure in this day and age that I discovered existed when I was reading an article online. As it's available for rental from Amazon, that's what I did and I gave the site a few bucks. This was one of MGM's efforts in the genre.
The plot: Louis Scorpio (played by Wallace Beery) is usually known as SLAUGHTERHOUSE, which is awesome and comes from the job you see him working at the beginning of the movie. He joins a gang and yep, manages to rise in the ranks. You see that there's an overseer who really runs everything. You also get to look at how they influence politics by endorsing their (corrupt) candidate for mayor and bribe juries to avoid conviction. “The power of the press” applies here as two of the men who try to stop the gang are newspaper reporters (one of them a mustache-less Clark Gable in an early role); however, the title group of 6 men are mysterious businessmen and politicians who wear Lone Ranger masks to hide their identity when they meet others because... well, why not? Anyhow, their purpose is to eradicate the gang.
The movie is definitely uneven and it's not as great as the classics in the genre. However, I can still say it's fine. It was interesting to see how that particular gang was set up and run, and how Slaughterhouse was always an uncouth under-educated guy, despite his best attempts otherwise... although he does prefer drinking a glass of milk to a glass of alcohol. There are still some violent moments (especially the hot ending) and the typical trademarks you expect from the genre. And, the cast has faces I am familiar with besides Gable; there's Wallace Beery as Slaughterhouse, Lewis Stone, Johnny Mack Brown, Ralph Bellamy, and in another actor with an early role, Jean Harlow.
If you have seen and enjoyed the most famous entries in the genre then this may be worth a shot for you. At least the movie is well-shot and has some nice touches.
Wednesday, July 8, 2015
Godzilla vs. King Ghidorah
Godzilla vs. King Ghidorah (Gojira vs. Kingu Gidora) (1991)
Runtime: 101 minutes (that's the version put out by Sony, where there's no end credits!)
Directed by: Kazuki Ohmori
Starring: Kosuke Toyohara, Anna Nakagawa, Megumi Odaka, Katsuhiko Sasaki, Akiji Kobayashi
From: Toho
There isn't much here for me to say so below is my Letterboxd review for this movie:
Yesterday would have been the 114th birthday of Eiji Tsuburaya; if you don't know the name, he was the creator of Ultraman, was one of the creators of Godzilla, and did the special effects for all the early Toho kaiji movies. Thus, I figured it would be appropriate for me to watch this last night, a movie I had not seen before but got on Blu recently. All I heard was that it involved time travel and it had quite the daffy plot. The reason why the classic monsters like Ghidorah and Mothra returned in the 90's is because the previous movie (Godzilla vs. Biollante) disappointed at the box office. They kept the same director/writer but they demanded a familiar foe from the past so in came the three headed dragon here.
That plot is: it's actually set in 1992, even though it came out in '91. A time travel space ship from 2204 arrives and tells the people of Japan that Godzilla will wipe out the country in the future so they need to go back to World War II and get rid of the Big G when he was just a dinosaur on an island (really) and they need the help of some 90's people... only their help isn't really needed and that's a big issue with the movie; I'll explain why in a moment but note that things don't go as expected for the 90's people and King Ghidorah is also involved.
I realize that while time travel movies allow for a lot of creativity, most of them also give you a headache if you think of various aspects in a logical matter, and how some things don't make sense. Well, the story problems go far beyond that. The movie just makes zero sense at all from beginning to end. It's not because it's overly complex; it's convoluted, but in a bad way, as it's poor storytelling, where they even go against some of the standard rules for time travel and changing things in the past... personally I prefer Biollante as while it's also a convoluted wacky silly movie-with American actors that have few if any other credits-at least most things there seemed to make sense and everything came together by the time the end credits rolled. This just made me mad with all the logic holes it had and how many things seemed to happen only because the script said so.
It's unfortunate as the practical effects were all nice... although due to the high quality of Blu-ray “the wires are now visible”. There's also a cyborg character and that's a source of much wackiness-you have to see the way he runs. The general idea of the story-as odd as it is-seems fine to me and if done in a different way could have been pretty original and fun. Instead, this was just a confused mess. Others seem to like this more than I did, though.
I do have to mention, though... LOL for the way they referenced one of the most famous directors of all time. I won't spoil it but to mention the truth, his dad did serve in World War II but not in that branch of the military and it was not in the Pacific region where he was by an island with a dinosaur.
Runtime: 101 minutes (that's the version put out by Sony, where there's no end credits!)
Directed by: Kazuki Ohmori
Starring: Kosuke Toyohara, Anna Nakagawa, Megumi Odaka, Katsuhiko Sasaki, Akiji Kobayashi
From: Toho
There isn't much here for me to say so below is my Letterboxd review for this movie:
Yesterday would have been the 114th birthday of Eiji Tsuburaya; if you don't know the name, he was the creator of Ultraman, was one of the creators of Godzilla, and did the special effects for all the early Toho kaiji movies. Thus, I figured it would be appropriate for me to watch this last night, a movie I had not seen before but got on Blu recently. All I heard was that it involved time travel and it had quite the daffy plot. The reason why the classic monsters like Ghidorah and Mothra returned in the 90's is because the previous movie (Godzilla vs. Biollante) disappointed at the box office. They kept the same director/writer but they demanded a familiar foe from the past so in came the three headed dragon here.
That plot is: it's actually set in 1992, even though it came out in '91. A time travel space ship from 2204 arrives and tells the people of Japan that Godzilla will wipe out the country in the future so they need to go back to World War II and get rid of the Big G when he was just a dinosaur on an island (really) and they need the help of some 90's people... only their help isn't really needed and that's a big issue with the movie; I'll explain why in a moment but note that things don't go as expected for the 90's people and King Ghidorah is also involved.
I realize that while time travel movies allow for a lot of creativity, most of them also give you a headache if you think of various aspects in a logical matter, and how some things don't make sense. Well, the story problems go far beyond that. The movie just makes zero sense at all from beginning to end. It's not because it's overly complex; it's convoluted, but in a bad way, as it's poor storytelling, where they even go against some of the standard rules for time travel and changing things in the past... personally I prefer Biollante as while it's also a convoluted wacky silly movie-with American actors that have few if any other credits-at least most things there seemed to make sense and everything came together by the time the end credits rolled. This just made me mad with all the logic holes it had and how many things seemed to happen only because the script said so.
It's unfortunate as the practical effects were all nice... although due to the high quality of Blu-ray “the wires are now visible”. There's also a cyborg character and that's a source of much wackiness-you have to see the way he runs. The general idea of the story-as odd as it is-seems fine to me and if done in a different way could have been pretty original and fun. Instead, this was just a confused mess. Others seem to like this more than I did, though.
I do have to mention, though... LOL for the way they referenced one of the most famous directors of all time. I won't spoil it but to mention the truth, his dad did serve in World War II but not in that branch of the military and it was not in the Pacific region where he was by an island with a dinosaur.
Tuesday, July 7, 2015
Cleopatra Jones
Cleopatra Jones (1973)
Runtime: 89 minutes
Directed by: Jack Starrett
Starring: Tamara Dobson, Shelley Winters, Bernie Casey, Antonio Fargas, Brenda Sykes
From: Warner Bros.
I saw another blaxploitation film; this one was from Saturday night via TCM Underground. The Letterboxd review is below:
This was a real late night watch on TCM Underground (Saturday) night. As I've heard mixed opinions about this I was interested in checking it out.
The plot: the title character (Tamara Dobson) is a tall and statuesque lady who moonlights as a model... but is actually a secret agent. She orders a giant poppy field to be burned, angering a woman known as MOMMY (Shelley Winters! More on her in a bit) and they feud with each other. Other characters include Cleo's boyfriend (Bernie Casey) and a drug dealer known as DOODLEBUG SIMKINS (Antonio Fargas); sometimes characters disappear for stretches at a time... so the story's uneven but I still enjoyed this.
The movie has a lot of intentional and unintentional humor; the action scenes are pretty entertaining-although Cleo doesn't always look convincing when she's engaged in fighting-and the score from J.J. Johnson is quite groovy. The movie's ridiculous and fun, except...
With this genre, being over the top and silly is commonplace. After all, “whitey” is typically the villain and you have plenty of stereotypes, racism, sexism, and homophobia to go around. This was definitely the case here, but it has to be noted that the character of Mommy is a rather blatant example of negative connotations against the homosexual community. She was a garish-looking overweight lesbian who was loud and cruel and shouted most of her dialogue. It was definitely over the top and while I certainly understand those who found that character and all the meaning behind it to be a major turn-off, I just tried to ignore the grossness behind it and I just marveled at how Shelley Winters played the character and how she devoured the scenery.
After all, this is a movie where they specially built a Corvette for the tall hero so that when she got out the driver's side roof raised up so her afro would not get damaged; it's pretty ludicrous all around.
Runtime: 89 minutes
Directed by: Jack Starrett
Starring: Tamara Dobson, Shelley Winters, Bernie Casey, Antonio Fargas, Brenda Sykes
From: Warner Bros.
I saw another blaxploitation film; this one was from Saturday night via TCM Underground. The Letterboxd review is below:
This was a real late night watch on TCM Underground (Saturday) night. As I've heard mixed opinions about this I was interested in checking it out.
The plot: the title character (Tamara Dobson) is a tall and statuesque lady who moonlights as a model... but is actually a secret agent. She orders a giant poppy field to be burned, angering a woman known as MOMMY (Shelley Winters! More on her in a bit) and they feud with each other. Other characters include Cleo's boyfriend (Bernie Casey) and a drug dealer known as DOODLEBUG SIMKINS (Antonio Fargas); sometimes characters disappear for stretches at a time... so the story's uneven but I still enjoyed this.
The movie has a lot of intentional and unintentional humor; the action scenes are pretty entertaining-although Cleo doesn't always look convincing when she's engaged in fighting-and the score from J.J. Johnson is quite groovy. The movie's ridiculous and fun, except...
With this genre, being over the top and silly is commonplace. After all, “whitey” is typically the villain and you have plenty of stereotypes, racism, sexism, and homophobia to go around. This was definitely the case here, but it has to be noted that the character of Mommy is a rather blatant example of negative connotations against the homosexual community. She was a garish-looking overweight lesbian who was loud and cruel and shouted most of her dialogue. It was definitely over the top and while I certainly understand those who found that character and all the meaning behind it to be a major turn-off, I just tried to ignore the grossness behind it and I just marveled at how Shelley Winters played the character and how she devoured the scenery.
After all, this is a movie where they specially built a Corvette for the tall hero so that when she got out the driver's side roof raised up so her afro would not get damaged; it's pretty ludicrous all around.
Sunday, July 5, 2015
Black Samson
Black Samson (1974)
Runtime: 88 minutes
Directed by: Charles Bail
Starring: Rockne Tarkington, William Smith, Connie Strickland, Carol Speed, Michael Payne
From: Omni Pictures
I finally have returned to the blaxploitation genre with this movie; the review of this average movie is below copied and pasted from Letterboxd:
I realize that in the past week I haven't done much on this site. It wasn't planned but I was preoccupied with other things. Well, things should be more back to normal now. I recently realized that it had been way too long since I had reviewed a blaxploitation film here so I decided to fix that last night by watching a pair of movies in the genre.
I've had this on disc for a long while and yet I did not watch it until now. Middling reviews were a reason why. Still, it was time for me to watch this tale of the title character (Rockne Tarkington), a large imposing character-although sadly deficient of charisma, despite what the movie may want you to believe-who runs a bar and is seen as a de facto leader of the neighborhood, who is strongly against drugs. Well, some evil white people want to drive him out and take over the area; the main bad guy is B-movie veteran William Smith, and he definitely has charisma to spare; he also plays a rather evil human being who is easy to hate with what he says and what he does. Really, that character and some supporting ones are more memorable and make up for the monotone performance of Tarkington as the lead.
The movie is average for the most part. A lot of things aren't too exciting. It seems like things don't get out of first gear for much of this. Sure there are funny moments, some wackiness and plenty of both racism and sexism, but it's only the final act that things pick up and it's mainly due to wackiness. What a gleefully absurd finale. At least it was nice to see a new (to me) genre entry and experience the usual tropes, from the urban setting and 70's cars to the hilarious fashion and the funky music, nicely provided here by legendary New Orleans musician Allen Toussaint.
Oh, and at Samson's bar-appropriately called Samson's-there's a LION on display. Yes, a real life jungle cat. Only, it doesn't do anything besides lay there, sleep, or mildly roar a few times. It doesn't attack or devour any of the villains, so what was the point of having it there? It's just set dressing.
Runtime: 88 minutes
Directed by: Charles Bail
Starring: Rockne Tarkington, William Smith, Connie Strickland, Carol Speed, Michael Payne
From: Omni Pictures
I finally have returned to the blaxploitation genre with this movie; the review of this average movie is below copied and pasted from Letterboxd:
I realize that in the past week I haven't done much on this site. It wasn't planned but I was preoccupied with other things. Well, things should be more back to normal now. I recently realized that it had been way too long since I had reviewed a blaxploitation film here so I decided to fix that last night by watching a pair of movies in the genre.
I've had this on disc for a long while and yet I did not watch it until now. Middling reviews were a reason why. Still, it was time for me to watch this tale of the title character (Rockne Tarkington), a large imposing character-although sadly deficient of charisma, despite what the movie may want you to believe-who runs a bar and is seen as a de facto leader of the neighborhood, who is strongly against drugs. Well, some evil white people want to drive him out and take over the area; the main bad guy is B-movie veteran William Smith, and he definitely has charisma to spare; he also plays a rather evil human being who is easy to hate with what he says and what he does. Really, that character and some supporting ones are more memorable and make up for the monotone performance of Tarkington as the lead.
The movie is average for the most part. A lot of things aren't too exciting. It seems like things don't get out of first gear for much of this. Sure there are funny moments, some wackiness and plenty of both racism and sexism, but it's only the final act that things pick up and it's mainly due to wackiness. What a gleefully absurd finale. At least it was nice to see a new (to me) genre entry and experience the usual tropes, from the urban setting and 70's cars to the hilarious fashion and the funky music, nicely provided here by legendary New Orleans musician Allen Toussaint.
Oh, and at Samson's bar-appropriately called Samson's-there's a LION on display. Yes, a real life jungle cat. Only, it doesn't do anything besides lay there, sleep, or mildly roar a few times. It doesn't attack or devour any of the villains, so what was the point of having it there? It's just set dressing.
Thursday, July 2, 2015
Judgment Night
Judgment Night (1993)
Runtime: 110 minutes
Directed by: Stephen Hopkins
Starring: Emilio Estevez, Cuba Gooding, Jr., Jeremy Piven, Stephen Dorff, Denis Leary
From: Largo/JVC
Here's another film I saw as a kid but the last viewing was back in the 90's, so it was long overdue for me to watch it again. The Letterboxd review is below:
Here's another random movie that I was reminded of due to a messageboard conversation. This happened last month but on Tuesday I found the DVD of the film (put out in 1998 by Goodtimes Video! I laugh as I remember the now defunct company from their VHS days) in my collection so I watched it last night. Note that I saw this movie two times in the 90's, but that was it and my memories of the film were faint.
The plot is not too complex: it's another movie set in the span of one night and there are four yuppies (Emilio Estevez, Cuba Gooding, Jr., Stephen Dorff, Jeremy Piven) who go to a big boxing match in Chicago. They go into the city in an RV (modern and hip for the early 90's... it has a Nintendo Entertainment System console complete with the Zapper light gun) that Piven's character got for the night after some sweet talking. Really, you can guess the types of roles that all four men play as it's what you'd expect from all of them; I presume that most of Jeremy's roles are “smarmy A-hole”.
They experience a Chicago traffic jam (I was born and grew up in Illinois so even though I did not live in Chicago or its many suburbs, I still have experienced them before and they're no good) so they get off the freeway and-surprise, surprise-they get lost in “a bad part of town”. They see a gang leader (Denis Leary) kill a man who wronged him and as the quartet are witnesses, he and the few henchmen he's with (one of whom became better known later on as Everlast) go through some pretty sketchy areas of Chi-Town to silence them.
The movie has some contrivances but for the most part, you can explain how Leary and gang can always find the protagonists... basically, the protagonists do some dopey things. It is a “class struggle” sort of thing as it's men who have done decently enough in life vs. the more blue collar types in the gang who felt like they had to do such acts to earn their money... then of course both sides interact with the poor people who live in those run-down areas of Chicago that the police doesn't really care about, as the movie states more than once.
While I wouldn't call it great I was at least entertained by the story, all the moments where the heroes run from the villains and go through several different setpieces (some of them pretty tense), and how the characters all interacted with each other. Leary was fun as the big bad guy. And yes the violence was cool. So, it was an acceptable way to spend an evening, nothing more and nothing less.
To think that a movie many consider is “fine” at best produced a soundtrack that is much more highly regarded, in the large number of famous acts that contributed but that all the songs were combos of rock and rap acts, years before that became a hot trend-good or not that's up to you-for awhile. The songs on the soundtrack are all pretty rad to me.
Oh, and I should say that when I lived in Illinois I one day did get off a busy freeway and drove through a sketchy area of Chicago. I ended up fine and it was in the afternoon but it was more awkward than anything else, as for like 45 minutes I saw no one who even closely resembled me-a dorky white man-and I stuck out like a sore thumb.
Runtime: 110 minutes
Directed by: Stephen Hopkins
Starring: Emilio Estevez, Cuba Gooding, Jr., Jeremy Piven, Stephen Dorff, Denis Leary
From: Largo/JVC
Here's another film I saw as a kid but the last viewing was back in the 90's, so it was long overdue for me to watch it again. The Letterboxd review is below:
Here's another random movie that I was reminded of due to a messageboard conversation. This happened last month but on Tuesday I found the DVD of the film (put out in 1998 by Goodtimes Video! I laugh as I remember the now defunct company from their VHS days) in my collection so I watched it last night. Note that I saw this movie two times in the 90's, but that was it and my memories of the film were faint.
The plot is not too complex: it's another movie set in the span of one night and there are four yuppies (Emilio Estevez, Cuba Gooding, Jr., Stephen Dorff, Jeremy Piven) who go to a big boxing match in Chicago. They go into the city in an RV (modern and hip for the early 90's... it has a Nintendo Entertainment System console complete with the Zapper light gun) that Piven's character got for the night after some sweet talking. Really, you can guess the types of roles that all four men play as it's what you'd expect from all of them; I presume that most of Jeremy's roles are “smarmy A-hole”.
They experience a Chicago traffic jam (I was born and grew up in Illinois so even though I did not live in Chicago or its many suburbs, I still have experienced them before and they're no good) so they get off the freeway and-surprise, surprise-they get lost in “a bad part of town”. They see a gang leader (Denis Leary) kill a man who wronged him and as the quartet are witnesses, he and the few henchmen he's with (one of whom became better known later on as Everlast) go through some pretty sketchy areas of Chi-Town to silence them.
The movie has some contrivances but for the most part, you can explain how Leary and gang can always find the protagonists... basically, the protagonists do some dopey things. It is a “class struggle” sort of thing as it's men who have done decently enough in life vs. the more blue collar types in the gang who felt like they had to do such acts to earn their money... then of course both sides interact with the poor people who live in those run-down areas of Chicago that the police doesn't really care about, as the movie states more than once.
While I wouldn't call it great I was at least entertained by the story, all the moments where the heroes run from the villains and go through several different setpieces (some of them pretty tense), and how the characters all interacted with each other. Leary was fun as the big bad guy. And yes the violence was cool. So, it was an acceptable way to spend an evening, nothing more and nothing less.
To think that a movie many consider is “fine” at best produced a soundtrack that is much more highly regarded, in the large number of famous acts that contributed but that all the songs were combos of rock and rap acts, years before that became a hot trend-good or not that's up to you-for awhile. The songs on the soundtrack are all pretty rad to me.
Oh, and I should say that when I lived in Illinois I one day did get off a busy freeway and drove through a sketchy area of Chicago. I ended up fine and it was in the afternoon but it was more awkward than anything else, as for like 45 minutes I saw no one who even closely resembled me-a dorky white man-and I stuck out like a sore thumb.
Wednesday, July 1, 2015
My Top 10 List Of 2014
I am pissed now... as typical for Letterboxd the site isn't working right so I don't even know if anyone else can actually see the list... I am really unhappy about it so I'll just post the Top 10 list here and hopefully this link will work & give you more details about each movie.
1: The Guest
2: Godzilla
3: Dawn of the Planet of the Apes
4: What We Do in the Shadows
5: Nightcrawler
6: Cold in July
7: John Wick
8: Cocaine Cowboys: Reloaded
9: Housebound
10: 300: Rise of an Empire
1: The Guest
2: Godzilla
3: Dawn of the Planet of the Apes
4: What We Do in the Shadows
5: Nightcrawler
6: Cold in July
7: John Wick
8: Cocaine Cowboys: Reloaded
9: Housebound
10: 300: Rise of an Empire
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