Looker

Looker (1981)

Runtime: 94 minutes

Directed by: Michael Crichton

Starring: Albert Finney, Susan Dey, James Coburn, Leigh Taylor-Young, Tim Rossovich

From: The Ladd Company

Featuring the 1981 versions of deepfakes, AI, CGI, LOOKSMAXXING, algorithms, and THE DISCOMBOBULATOR

Looker and its basic plot-Albert Finney as a Beverly Hills plastic surgeon becomes involved in a case where he attempts to protect Susan Dey as several models who appear in TV commercials who came to his office to have microscopic changes done to their bodies end up dead & she’s next on the list-has been known to me for years yet it was just last night that the motivation hit to press “play.”

Indeed, Finney attempts to protect Dey as he discovers a scenario straight out of a 70’s paranoid conspiracy thriller. Not to reveal too much but the film says plenty about advertising, television, beauty, and what were still prevalent fears over computers and how their computing powers could go horribly awry. A quibble or two could be made—even then I had a pretty good time with Looker.

An unfortunate aspect is that with its messages, re: advertising, technology, AI and CGI, Looker unfortunately hasn’t lost the relevancy in its themes. The scenario concocted by the villains (Digital Matrix, Inc.) could happen today… if it hasn’t already. I’ll take off my tinfoil hat and note that while there sadly was studio interference-the end product wasn’t always coherent… James Coburn as lead villain in particular wasn’t happy with how many of his scenes were cut-& the movie flopped, I was entranced nonetheless.

I never thought the word “looksmaxxing” would be uttered by me on Letterboxd-that does describe the ghastly trend of some Gen-Z influencer D-bags talking about women in a quantitative sense. There’s an interesting weapon used often which allows for creative action setpieces. It’s not quite the “discombobulator” uttered by <redacted> in terms of the capture of Maduro in Venezuela but is still a fascinating idea for a futuristic weapon in a fictional world. I also enjoyed the cast, including Tim Rossovich as a henchman w/ a tremendous moustache. No lie, he was credited as MOUSTACHE MAN.

Looker isn’t the best work from Crichton especially after the studio interference. However, as someone who noted how the ideas of the future sometimes came true-even if how they came true wasn’t accurate-and can appreciate interesting synth scores/city backdrop sets that are seen outside of windows… conceivably I was destined to enjoy Looker.