Friday, February 27, 2026

Welfare

This is a 1975 documentary from a famed director who recently passed away: 

A belated RIP to Frederick Wiseman; he passed away a week and a half ago at the age of 96. I’ve known of him for years-I “tracked down” 2013’s At Berkeley not so long after its release. That was a 4 hour (!) documentary covering seemingly every aspect of the University of Cal-Berkeley, a prestigious school. It was a great example of his filmmaking style: lengthy documentaries filmed passively with no narrator or text but rather the footage selected, the editing, and the order help present a facet of American life through the people shown on screen. It was a passive fly-on-the-wall style which served him well for decades.

Due to their length and the requirement of tracking them down via “less than ethical means” for streaming, despite my desire to see more from Wiseman and my having “acquired” more than one of his films in my physical collection, the only other movie I’d seen from him was 1970’s Hospital, only 83 minutes yet still a nice time capsule of life in a run-down New York City infirmary.

Before I discuss Welfare the film, I of course must mention that my opinion on the American welfare system will NOT be discussed here-while not the hottest topic of contention among those in the United States the past decade or so, it’s still a hot-button issue. Instead, I’ll note that at least during the time of filming-in a New York City welfare office, the system was a real quagmire, full of confrontation and arguments between those employees & the welfare recipients. It’s only fate that made me born into a family that never required welfare and thus I’m ignorant to the process or how difficult it is for those that necessitate assistance.

The implication-presumably understood by many seeing this-is that the system is a real bureaucracy, full of red tape and a runaround w/ people going around in circles. Perhaps the term “Kafkaesque” is used too often; however, IMO that word is incredibly apt to describe the film. As at least one mutual noted, one of the workers comes off poorly, yelling & arguing with multiple people during the conclusion of the documentary as those multiple people had reached their breaking point at the same time, same place.

It’s exercises in frustration featuring many different ethnicities, including (unfortunately) a white war veteran blatantly racist-to the faces of Black people. Those are two LONG, uncomfortable scenes. There is also discussion of religion in one scene; this is one of several conversations shown between people that (at least according to appearance) are wildly different from one another yet that isn’t a hindrance to their discussions.

I don’t remember where or when I heard this statement, but at least one person noted that you can’t fully understand America & its people until you see more than one Frederick Wiseman film. There are regrets in not seeing more from him before his passing; on the other side of the coin, more people than before on Letterboxd that are followers-currently, just over 5,400!-can read about a filmmaker that I fear will forever demand more attention than he’ll ever receive.


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