Pitfall (1948)
Runtime: 86 minutes
Directed by: Andre De Toth
Starring: Dick Powell, Lizabeth Scott, Jane Wyatt, Raymond Burr, John Litel
From: Regal Films
This is the second noir I watched last night, and it turned out to be pretty good, not to mention having some similar themes to the film I reviewed a few hours ago. Read all about it below via my Letterboxd review:
Last night on TCM they had a theme where they showed several movies related to insurance investigators. It turns out that Double Indemnity wasn't the only noir dealing with that topic. This is definitely not related to the old Atari 2600 game, which I did play when I was really young; considering that there are plans for a trilogy of “dark thrillers” based on TETRIS, I feel like I should clarify such things and also mention that I am pretty certain there have been Hollywood types who have thought about a movie based on Pitfall!
As for this movie, Dick Powell is the insurance investigator and he gets involved in an embezzlement case and the gal of the embezzler is the sultry voiced Lizabeth Scott (as Mona Stevens) and as he leads what he feels is a boring middle class suburban life (despite having a wife and young kid) he ends up at first being happy with the excitement of “hanging out” with Mona... before things turn sour. Raymond Burr is an imposing private detective who has a thing for Mona too, and as he's the “stalker” type, it means that she has issues with several different men, and it's a thorny situation which of course turns out pretty badly.
The movie starts off and we see Powell living what looks to be an idyllic life in the suburbs, nice home and nice family. Things are bright and sunny, literally and figuratively. But what turned out to be a dream life for him ended up a nightmare as he got mixed up in that mess and the movie does show the dangers of suburban life, in that it can be really boring so people could be led astray. The thing is, Mona isn't really a femme fatale; rather, it's the men who can't keep it in their pants and are turned on by her good looks and husky voice. As things get darker, it's also a literal change and you get to see the typical noir cinematography as those dark themes are explored, and even Powell's kid having nightmares can be seen as a sign of trouble, even if it was “those darn comic books” that were a big root of it.
The film has an interesting story and it's nicely directed by De Toth; as the cast does a nice job overall, it all adds up to a pretty good noir.
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